Appetite for Self-Destruction by Steve Knopper – For the first time, Appetite for Self -Destruction recounts the epic story of the precipitous rise and fall of. Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age: : Steve Knopper: Books. Steve Knopper. · Rating details · ratings · reviews. For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and.
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Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world’s highs and lows.
Joe account before fleeing the toy business to hike through the Sahara with a girlfriend, then landed in Asia to run a fabric-export company. It felt well-researched, but the longer I read on, the more I changed my opinion on this impression.
Your purchase helps support NPR programming. Get a FREE e-book by joining our mailing list today! Jun 24, Ryan Chapman rated it liked it Shelves: Lists with This Book.
So I have zero sympathy for big labels whose rice bowls have been broken stdve the rise of digital.
CBS Records laid off two thousand employees and drastically cut its artist roster and budgets. Steve Dahl’s Chicago demolition-turned-riot may have killed disco commercially, but the fans were still alive — and Jackson was a master of providing the slinky rhythms to warm their hearts. Another self-destfuction thousand spilled along the surrounding South Side streets.
Appetite for Self-Destruction : NPR
But what was so intimidating about people dancing in nightclubs? I’m saying the se,f-destruction and lawyers did its bit to kill the industry! The senior Veeck and legendary baseball announcer Harry Caray impotently attempted to exhort people back to their seats over the loudspeaker. And Yetnikoff was fiercely loyal to his artists.
May 19, Kerry rated it really liked it. He was the son of then-Sox owner Bill Veeck, a seventy-five-year-old baseball legend.
Regardless, the clarity of the situation is that things changed with digital. Then they created the CD which you could not roll a joint on as well as you could with an LP. And that was coming.
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age
Davis called Yetnikoff in early to offer him a self-destructiion. Jul 28, Luka Brandi rated it really liked it. Either way, the combination of MTV and Michael Jackson was a one-two commercial punch that began the resuscitation of the record industry. Based on interviews with more than two hundred music industry sources — from Warner Music chairman Edgar Bronfman Jr.
Appetite for Self-Destruction
Rick James, who had a smash radio hit with “Super Freak,” publicly railed that MTV was “taking black people back four hundred years. For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world — and the advent of file sharing brought it to its knees.
The part it hints at but doesn’t get into Why did my kids listen to my s music when they were teenagers? Refresh and try again. A fantastic account of the many ways the record industry failed to accept the digital future of music. He lasted less than a year. Others were surprisingly innovative clips, like “Rio,” a psychedelic collection of rainbow-colored effects set to music by Michael Nesmith, formerly of the Monkees. It was even the same size. Dahl took the show on the road, packing a suburban Chicago nightclub with a “death to disco” rally.
Based on interviews with more than two hundred music industry sources—from Warner Music chairman Edgar Bronfman Jr. Aug 03, Gphatty rated it liked it.